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This lakefront property might have a modern kitchen and a front porch, but it’s sort of the creepiest-looking home ever. No waterfront view can make up for that—or the fact that it’s possessed by demons. Some of the highlights are the greenhouse, the cute nursery and that spacious kitchen.
‘Gateway’ Review: A Chilling Mumblegore Haunted House Story - Dread Central
‘Gateway’ Review: A Chilling Mumblegore Haunted House Story.
Posted: Mon, 22 Apr 2024 16:30:24 GMT [source]
Night Swim
Stop-motion animation is already creepy in the most calming of settings. Put it in a horror movie, especially in a horror movie where the stop motion is combined with live action, and you have the makings of a visually enthralling and totally unsettling film. Ella struggles with self confidence and her creative side, and when inspiration comes to her in the form of a young girl living in the same apartment building, Ella’s work begins to take over her life and mind. As always, what we consider to be a “new” horror movie for inclusion in this ranking is any film given its first wide release in North America sometime during 2024. The release can be in theaters, streaming, or physical media, but it must be a release that most people reasonably have a chance to see.
Let's Scare Jessica to Death (
But Anne insists on hanging around, calling in spiritualist friends to see if she really can connect with her son across the divide. When Anne starts claiming that Bobby’s spirit is with them in the house, and the neighbors warn them that they should leave, Paul is ready to pack his bags. This is psychological horror done right, with a twisted turn of events guaranteed to stay with you.
The Haunting (
Then again there’s no pool, so we’ll have to give this house the number 6 spot. After a tour of the home, the girls leave the watermelon in a well to keep it cold. When Fantasy goes to retrieve the watermelon from the well, she finds Mac's disembodied head, which flies in the air and bites Fantasy's buttocks before she escapes.

The Woman In Black (
The same studio that produced the Godzilla franchise, Toho, masterminds one of the most horrifying and disturbingly humorous psychedelic films to date. From The Innocents to Paranormal Activity, most of these haunted house movies will have viewers leaving all their lights on at bedtime. Alice (Lizzy Willis) is orphaned when her parents die in a fire, so she moves in with her grandmother Beth. Beth claims that her house is where Lewis Carroll used to live, and when Alice becomes gravely ill, she begins having nightmares about twisted versions of characters from Lewis Carroll’s Alice’s Adventures in Wonderland. The movie never takes full advantage of its whimsical source material, instead opting to be a psychological thriller with a mystery that becomes tedious when it becomes very obvious what is happening early in the proceedings.
They all begin to believe that "The Cleaver" is tormenting them from beyond the grave, as he promised in his final moments. A parapsychologist named Peter Campbell that the family hires, proports that the killer must have made a deal with the devil prior to his execution, allowing his spirit to return and haunt the family. Campbell warns that the only way that they will be able to escape the cursed soul of Jenkins, is if they destroy his spirit. A haunting portrayal of a family coping with loss after the drowning of 16-year-old Alice during a lake outing leads to some unexpected discoveries about the daughter and sister the family thought they knew. Handled mockumentary style, Lake Mungo uses interviews with the family to help piece together the puzzle of Alice’s secretive life, and with it, the potential of her spirit still lingering within their home. There are twists, chills, and a lot of heartbreak in one of the best haunted house tales you might not have seen.
He studied and got a degree in Media Culture at the Academy of Arts and Culture in Osijek, Croatia, specializing in creative writing, journalism, and filmmaking. Luka’s expertise lies in all branches of media, but mostly in cinematography. He got his degree on the subject of Quentin Tarantino's work in light of the quotation theory. Before getting into professional writing, Luka wrote short stories and several screenplays but started his career as a journalist for several prominent Croatian sports websites. His love for cinematography blossomed even more after working as a student in a five-star movie theater in Osijek.
Ghostbusters: Frozen Empire
The mockumentary was aired on Halloween night, so viewers were already in the mood to have their pants scared off. The psychological elements of this film, along with its reckoning with the impact of America’s slave history, will have your mind reeling. And while Only God Forgives is frequently accused of burying its narrative underneath a pile of artsy excess, I think the heart of the film is rather straightforward despite its obtuse presentation. I mean, the moral here is basically “revenge isn’t fun,” which I think is made clear by the horrific use of violence (though we’ll discuss that further in the next section). Despite being a huge fan of Drive, I avoided Only God Forgives for a long time because of its poor critical reception and excessively esoteric presentation. There’s no right or wrong way to engage with art, but there are some films that clearly require more effort from the audience side in order to be effective.
George Lutz (James Brolin) and his wife, Kathy (Margot Kidder), get the deal of a lifetime when they buy a home in the quaint, seaside town of Amityville, N.Y. — but their new digs come with a sordid history and house full of haunting horrors. They Turned Us Into Killers is like watching three or four different movies thrown into a blender and dumped onto the screen. The plot is amazingly convoluted which keeps viewers at a safe distance from coming close to anything like tension, excitement, or coherence. The basic idea is about revenge, but trying to explain the full story is pointless. It’s frustrating to watch, and all the detours lead to nowhere in particular.
Dagr is really good, and the structure of its plot is something unique and tremendously memorable for found footage. A woman stranded in a storm takes shelter in the mobile home of a man. They don’t know each other, they both have secrets, and they’re stuck together until the storm passes. You’ll Never Find Me is a tense and claustrophobic psychological thriller that progresses at a deliberate pace.
The flicks on our list of the best haunted house movies are for adult eyes only. If you're in need of some family-friendly scary movies, check out our list of scary movies for kids. So whether you're setting up for a movie marathon for Halloween or any other night of the year, get ready for a home movie night that might make you wonder what skeletons are hiding in your very own closets... House is a 1985 American comedy horror film directed by Steve Miner, with a screenplay by Ethan Wiley, from an original story written by Fred Dekker.
In the morning, Ryoko arrives at the house and finds Gorgeous in a classic kimono. Gorgeous tells Ryoko that her friends will wake up soon and that they will be hungry. Alice’s older brother sets up cameras around the house to capture Alice’s ghost. Of course, it’s also 100% of its time and was remade in 1999 with a 2007 sequel, Return to House on Haunted Hill. The current team of paranormal investigators includes psychics and mediums along with Physicist Dr. Lionel Barrett.
It might move a little slowly for modern audiences, but if you’re patient with it, it’s the kind of film that will wrap you up in its own creepy comforts. In 2019, Martin Scorsese named The Uninvited one of the scariest movies of all time; “the tone is very delicate, and the sense of fear is woven into the setting [and] the gentility of the characters,“ he wrote for The Daily Beast. This underseen horror movie arrived at the tale end of a wave of Satanic/Catholic-centered horror that began in earnest with Rosemary’s Baby, peaked with the Exorcist, and started to wind down with The Omen. Though the eerie hauntings at the heart of the film are occult in nature, The Sentinel adheres to the rules of a haunted house story.
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